Minggu, 13 Januari 2013

prologue the mirror


Richards didn't bother to look at him. "You're right, I can't tell you." Simmons said, "I grew up here, know every inch of the place. If I was trying to get somebody outta here, there's a dirt lane about a half mile down the road. You cut through there and go out the other side, you're five miles away before you even know it."
Richards now glanced at him and said slowly, "Is that right?"
He leaned toward Simmons and reached inside his coat pocket. The next moment Secret Service agent Neal Richards was lying face–down on the seat, a small red hole in the center of his back, the stick of gum he had pulled from his pocket still clenched in his hand.
Simmons looked in the back of the van, where the woman was taking the suppressor off her small–caliber pistol. She had been secreted in a small area under the van floor's false bottom. The chatter from the police scanner had covered the slight noise she made coming out.
She said, "Low–caliber dumdum, wanted to keep it in the body. Less mess." Simmons smiled. "Like the man said, this is really big."
He pulled out the dead agent's wireless mic and power pack and threw them deep into the woods. He drove off in the opposite direction of the funeral home. Eight hundred yards down the road he turned onto a weed–covered dirt lane. They pushed Agent Richards's body out there in an overgrown ravine adjacent to the road. Simmons had been telling the agent the truth: this road was the perfect escape route. Another hundred yards and two bends in the road brought them to an abandoned barn, its roof starting to fall in, its doors open. He drove directly into the space, got out and shut the barn doors. Parked inside was a white pickup truck.
The woman emerged from the back of the van. She looked nothing like an elderly widow now.
She was young, blond–haired, slender yet muscular and agile, dressed in jeans and a white tank shirt. She had used many names over her brief life and currently went by "Tasha." As dangerous as Simmons was, Tasha was even more lethal. She had that essential trait of a polished killer: she possessed no conscience.
Simmons took off his uniform, revealing jeans and a T–shirt. Next he pulled out a makeup kit from the rear of the van and removed the wig, matching sideburns and eyebrows and other parts of his facial disguise. He had been hidden in the hollow platform under Bill Martin's casket; after helping to carry John Bruno out, he assumed the role of "Officer Simmons." From the van they lifted a large box containing Bruno. The box was marked as containing communication equipment in case anyone had bothered to look. A large tool case was situated against the back of the white pickup's rear window. They took Bruno and placed him inside the tool case and locked it. There were vents in the sides and top of the case, and its interior had been padded.
Next they loaded bales of hay that were stacked in a corner of the barn into the bed of the truck; that mostly concealed the tool case. They jumped into the cab of the truck, donned John Deere caps and pulled out of the barn, taking another weed–infested dirt road back to the main drag about two miles farther down.
They passed a stream of police cars, black sedans and SUVs heading, no doubt, to the crime scene. One young cop even smiled at the pretty woman in the passenger side of the truck cab as he sped by. Tasha gave him a flirty look and waved back. The pair drove on with their kidnapped presidential candidate safely unconscious in the back.
Two miles ahead of them was the elderly man who'd sat by the entrance to the funeral home when John Bruno and his entourage passed by. His whittling done, he'd escaped Maxwell's lockdown by a few minutes. He drove alone in his ancient, muffler–rattling Buick Impala. He'd just received the news from his colleagues. Bruno was safely tucked away, and the only casualty had been one Secret Service agent unlucky enough to pair up with a man he undoubtedly believed was harmless.
After all this time and work, it had finally begun. He could only smile.

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